» » Charlie Monroe & His Kentucky Pardners - I See A Bright Light Shining / The Grave At The Foot Of The Mountain

Charlie Monroe & His Kentucky Pardners - I See A Bright Light Shining / The Grave At The Foot Of The Mountain álbum

  • Artista: Charlie Monroe & His Kentucky Pardners
  • Título: I See A Bright Light Shining / The Grave At The Foot Of The Mountain
  • Género: Folk y Country
  • País: US
  • Fuente de los registros: Shellac, 10", 78 RPM
  • Etiqueta: RCA Victor
  • Catálogo#: 20-3115
  • MP3 álbum: 1277 mb
  • FLAC álbum: 2584 mb
  • Clasificación: 4.1/5
  • Votos: 299
Charlie Monroe & His Kentucky Pardners - I See A Bright Light Shining / The Grave At The Foot Of The Mountain álbum

Lista de canciones

1I See A Bright Light Shining
2The Grave At The Foot Of The Mountain


Álbum

Performer: Charlie Monroe and his Kentucky Pardens Writer: Karl Davis Harty Taylor. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. They are 3. 5 mil truncated eliptical, 2. 3 mil truncated conical, 2. 8 mil truncated conical, 3. 3 mil truncated conical. These were recorded flat and then also equalized with Turnover: 400. 0, Rolloff: -12. The preferred versions suggested by an audio engineer at George Blood, L. have been copied to have the more friendly filenames. Matrix number: 20-3115A 2S Catalog number: 20-3115-A. Charlie Monroe & His Kentucky Pardners - There's No Depression In Heaven - Продолжительность: 2:26 dvdman49 5. Charlie Monroe. I'm Old Kentucky Bound. The Grave at the Foot of the Mountain. Johnny Tucker. I See a Bright Light Shining. Karl Davis, Harty Taylor. The recording on the other side of this disc: I See a Bright Light Sining. 78 the-grave-at-the-foot-of-the-mountain charlie-monroe-and-his-kentucky-pardners-john gbia0026150b 04 3. 3 CT download. download 56 Files download 18 Original. SHOW ALL. Listen to music from Charlie Monroe & His Kentucky Pardners like I'm Comin' Back But I Don't Know When, You'd Better Be Somewhere Praying & more. Find the latest tracks, See A Bright Light Shining 2:40 11. End Of Memory Lane 2:45 12. Shenandoah Waltz 2:16 13. CD 4 1. Old Joe Clark 0:17 2. Opening remarks from Charlie Monroe 1:10 3. Penitentiary Blues 1:41 4. Patter and Story from Charlie Monroe 1:30 5. Why Did You Ever Say Goodbye 2:41 6. Find 'em, Fool 'em And Leave 'em Alone 1:47 7. When The Women Get In Power 2:59 8. I'm Old. Kentucky Bound 2:23 9. Down In Caroline 2:03 10. Down In The Willow Garden 2:05 11. Bill Cheatham 0:46 12. I Know You'll Understand 0:44 13. Goin' Down The Road Feeling Bad 1:14 14. Bob Wills & His Texas Playboys 3. Bobbie Gentry 1. Bobby Bare 4. Bill Monroe split from his older brother, Charlie, and went on to invent bluegrass music. This is the story of what happened to Charlie after that rift. Striking out on his own, Charlie developed his own ample talents rooted in his affable personality. His group, the Kentucky Pardners, like Bill's Blue Grass Boys, could operate at high speeds without discomfort. Though Charlie might not have conquered as much new musical territory as Bill, his music had a vivid personal sound. And he scored some hits, notably Bringing In The Georgia Mail. The Grave At The Foot Of The Mountain. I See A Bright Light Shining. End Of Memory Lane. Shenandoah Waltz. Lyrics for I'm Old Kentucky Bound by Charlie Monroe feat. His Kentucky Pardners. Charlie Monroe, His Kentucky Pardners. Written by: Charlie Monroe. Last update on: July 25, 2017. Some where among the hills of old Kentucky There's two old folks I love with all my heart They're praying for their boy to come back safely. And never no more from them depart And there's a little sweetheart waiting for her darling With her heart all filled with love divine I long to hold her in my arms and kiss her Surely, I'm old Kentucky bound In summer when the birds are singing sweetly And pretty flowers blooming all around I love to climb that dear old. Early Blue Grass Music Album September 1963. Request a synchronization license. Added by Canary. It was released by Island Records in the UK in 1974. Although never commercially successful and critically ignored upon its release, it is now considered by a number of critics to be a masterpiece and one of the finest works of both Richard and Linda singularly or together



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