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Nebula VII - Shining Of The Bleak Energy álbum

  • Artista: Nebula VII
  • Título: Shining Of The Bleak Energy
  • Género: Electrónica / Rock
  • País: Russia
  • Fuente de los registros: CDr, Promo
  • Liberado: 2011
  • Estilo: Dark Ambient, Drone
  • Etiqueta: Kadaath Records
  • Catálogo#: Kadaath 05
  • MP3 álbum: 1321 mb
  • FLAC álbum: 2829 mb
  • Clasificación: 4.6/5
  • Votos: 777
Nebula VII - Shining Of The Bleak Energy álbum

Lista de canciones

1Stage 3. Paranoia6:00
2Nihil5:34
3Call Of A Black Hole12:09
4Untitled (Geriht Cover)
Ambient – GerihtVoice, Drums – VII
3:29
5Awaking (Intro)0:33


Versiones

CategoryArtistTitle (Format)LabelCategoryCountryYear
SNR 107Nebula VII Shining Of The Bleak Energy ‎(CDr, Album, Ltd)Shit Noise RecordsSNR 107Germany2011
FUC 40Nebula VII Shining Of The Bleak Energy ‎(Cass, Album, Ltd, C77)Fusty CuntFUC 40US2011


Notas

Pro CD-r. Limited To 20 Copies


Vídeo


Álbum

Формируйте собственную коллекцию записей Nebula VII. On the positive side, I would add that the material is considerably varied in its own way and not without its own charm or requisite atmospheric characteristics, yet does not necessarily break any new ground overall or puts forth an outstanding realization of the presented ideas, which is just as hard to pull off in this field, as it is in metal. Nebula VII : Shining of the Bleak Energy,альбом, рецезия, трек-лист, mp3, тексты песен. Unlike other bands of space ambient, Nebula VII its ambience is not based on sci-fi concepts if not more disonanates in regard to outer space, therefore you will hear small pieces of dark ambient, drone, ambient space, high tones tuneless or sounds of programming in addition to appropriate use of different environments. sounds that is projecting a parallel dimension a shapes that the human mind are not yet fit to understand it. Experimental droneambient space from the lands of Russia, Nebula VII is a project of one man who develops an ambience based on the space ambient genre with a particular and conceptual design about which is. extreme music, экстремальная музыка, metal, металл, grindcore, грайндкор, grind, brutal, брутал, black metal, блэк металл, doom metal, дум металл, death metal, дет метал, folk metal, pagan metal, heavy metal, хэви металл, gothic metal, готика, металл альбомы, free music, бесплатная музыка, свободный обмен музыкой, новинки, раритеты, new and rare music, music discussions, discographies, band history, дискографии, истории групп, обсуждение музыки. Listen free to Nebula VII Shining Of The Bleak Energy Awaking Intro, Stage 3. Paranoia and more. 7 tracks 39:39. Listen to online Nebula VII - Shining Of The Bleak Energy, or download mp3 tracks: download here mp3 release album free and without registration. On this page you can not listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. Buy Nebula VII - Shining Of The Bleak Energy from authorized sellers. This album was released in 2011-03-06 year. Format of the release is. CDr , Album. Nebula VII. Relase date: January 01, 2011. Label: Kadaath Records. ProductionGenre: Fusty Cunt. Media: Cassette. Call of a Black Hole. Slow Rotting of the Dead World. I Remastered. II Remastered. No lyrics avaiable for this album. Nebula VII . Shining of the Bleak Energy. More albums. Nebula VII - I Am. God EP 2016 This is my last work for today in the styles from Drone Ambient to HNW. Written before the album Dawn of a New Era in 2013. The track title is taken from the movie the fourth kind. On the photo the first spacewalk, performed by Alexey Leonov from the Voskhod 2 spacecraft. Call Of A Black Hole 12:09 06. Slow Rotting Of The Dead World 6:54 07. VII 5:00 Полное время альбома: 39:39. 19 апреля 2011. Категория: Neofolk, Medieval


Reseñas del Nebula VII - Shining Of The Bleak Energy (1):
Steelrunner
That it is so much harder to objectively analyze ambient music is common knowledge. And so is the fact that ambient is not so much music but sound design. The concept of immediate technical skill stays outside the door, and impressions conjured depend so much more on a listener's state of mind at a given moment, compared to the more conventional musical forms. You can either allow a sound flow to arbitrarily lull you in, or you can willfully try to engage it in order to have it assume a more consummate shape, so that you may possibly derive a more concrete meaning, however subjective. That abstract component is a gist that is inherently present in ambient to a much greater degree than in other forms of music, including metal, although some of the latter's more extreme variants (and NOT only the obvious ambient and drone sub-fusions of black metal and doom) certainly cannot exist without it. But I digress, for NEBULA VII is a drone-ambient project that has as much direct connection to metal as NEPTUNE TOWERS' musical output. Granted, there is some linkage, which presents itself in the form of a cover track of an equally obscure ambient-black metal band GERIHT but does not sound very metal either. Since there are only five tracks on this EP, I might as well make a quick run through them. It's either that or me having to pen my once-again very subjective, general impressions.

"Awaking" (sic) the intro is just a short, half a minute chunk of flexing, trebly and noisy drone, so no comments here. "Stage 3. Paranoia" is a somewhat interesting piece which the author(s) chose to endow with a drum part that falls somewhere in the middle between a straightforward rock beat and tribal percussion. Is it programmed or actually performed? It sounds like it was played by a living person, but because its source is unknown, it could have been easily sampled from elsewhere. It makes little difference, though, for this track's combination of dual-layered drone interflow (one is a more commonplace mid-range drone, while the other is of a roiling, undulating, higher frequency) and the above mentioned percussion create an impression of a feedback interlude a shoegaze/post-rock band might throw out during live performances. An interlude that never really turns into anything else because it is the whole "song". Luckily, the track is not entirely static and sets up small signposts of increased intensity and some rhythmic variation to mark some kind of turning points during its run. Next track "Nihil" chooses to dive right into the realm of atmospheric dark ambient, with its deep, cavernous sound wave married to an oscillating loop of a coarse, gargling noise tangle. Not too bad. The above mentioned, untitled GERIHT cover track adopts a similar approach as "Stage 3. Paranoia" a little while ago, via another primitive, abstract drum beat of a somewhat ritualistic nature. The main sound line it backs up is quite different, however. Considerably calmer than on previous pieces, it utilizes a pretty normal, slightly eerie, weather-oriented synth pad reminiscent of someone like VINTERRIKET. Nonetheless, short, periodic swirls of hollow, isolationist feedback and even a couple of bits of buried, blackened vocal cries (if my ears did not deceive me) do figure into the proceedings to add a few ounces of discomfort. Speaking of isolationism, the closer "Call of a Black Hole" is a twelve minute minimalist workout of slightly distorted, floating ambience, where the main drone movement underneath seems to remain pretty much unchanged, while the upper level of applied noise/distortion creates all the fluctuations necessary to eventually disappear in the aperture of a great cosmic beast.

This EP is actually a CDR release (which is what this project seems to focus on by way of numerous singles and splits) of twenty (!) copies, so the garnered resonance will not exactly make major ripples in the drone-ambient community or anywhere else, needless to say. Plus, the general impression here is very much of a demo release. "Raw" is not really the word applicable to this type of music, but there is certainly a rough, home (bedroom, kitchen, basement) quality to this recording. Or perhaps we are dealing with a true representative of "garage-ambient" underground? The conceptual theme appears to deal with space, but I'd say that only two tracks - "Call of a Black Hole" and "Nihil" - really possess some sort of a cosmic feel (or what people generally might perceive as such). On the positive side, I would add that the material is considerably varied in its own way and not without its own charm or requisite atmospheric characteristics, yet does not necessarily break any new ground overall or puts forth an outstanding realization of the presented ideas, which is just as hard to pull off in this field, as it is in metal. All this leaves "Shining of the Bleak Energy" exactly where I found it: a remote corner slum of the industrial ghetto. Most likely that is the way it was desired to be in the first place.

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